A painting by the late quattrocento and early cinquecento artist Antonio de Saliba is coming up for auction on Tuesday. This Renaissance artist was an artistic follower of his Sicilian uncle Antonello da Messina and the Venetian master Giovanni Bellini.

The painting in question was very likely executed when de Saliba was in Venice between 1480 and 1495, and specifically when he was affiliated with the bottega of Giovanni Bellini, of which there is substantial circumstantial evidence. De Saliba’s father, the intagliatore Giovanni de Saliba, is recorded on Malta on several occasions, and is likely to have been Maltese himself. 

There are paintings on Malta by de Saliba and his cousin Salvo d’Antonio at Żejtun parish church, the Franciscan Observant church of Ta’ Ġieżu in Rabat, and the Mdina Cathedral Museum, several of which have been diagnostically tested and restored, but there are none in the national collection.

This has revealed information not only about Maltese commissions from the Renaissance period, but also about these artists and their artworks in general. 

Malta is thus fast becoming a centre for study of these Renaissance masters.

This late quattrocento painting of the Madonna adoring the Child of remarkably high quality, which may be by an artist of Maltese descent, deserves to be in Malta, and in the national collection.

This painting, which was bequeathed to the Metropolitan Museum of Art, New York, in 1915, bears striking similarities to the Madonna enthroned adoring the Child in Żejtun that was commissioned for the old church of St Catherine in Żejtun (today’s San Girgor), and which has had a fascinating history.

I therefore urge the local authorities to consider the acquisition of this prestigious artwork that can be enjoyed in a public collection and studied further in the context of the other paintings by the artist in question.

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