Margaret Whiting, the sweet-voiced singer who sold millions of records in the 1940s and 1950s with sentimental ballads such as Moonlight In Vermont and It Might As Well Be Spring, has died aged 86.
She died at the Lillian Booth Actors’ Home in Englewood, New Jersey, home administrator Jordan Strohl said.
She had lived in New York City for many years before moving to the home in March.
Ms Whiting grew up with the music business. She was the daughter of Richard Whiting, a prolific composer of such hits as My Ideal, Sleepy Time Gal and Beyond The Blue Horizon.
Her family’s home in the Bel-Air community in Los Angeles was a gathering place for such songwriters as George and Ira Gershwin, Frank Loesser, Jerome Kern, Harold Arlen and Johnny Mercer.
It was Mr Mercer, her father’s lyricist and close friend, who inspired the young Whiting to take years of vocal training when he told her following an early audition, “Grow up and learn to sing”.
After Ms Whiting’s father died in 1938, Mr Mercer remained close to the family. When he became a founding partner in Capitol Records in 1942, the 18-year-old Whiting was the first singer he put under contract.
Fifty-five years later, Whiting and her fourth husband, Jack Wrangler, honoured Mr Mercer with a musical tribute called Dream, which ran for 133 performances on Broadway.
It was Mr Mercer who had coached the teenage Whiting through her first recording, of her father’s My Ideal, and although Maurice Chevalier and Frank Sinatra had already recorded the tune, her version sold well.
She followed it with a remarkable procession of million sellers: That Old Black Magic, It Might As Well Be Spring, Come Rain or Come Shine and her biggest seller and signature song, Moonlight In Vermont.
She was asked in 2001 what separated a good singer from a great one.
“Being a great actress, being very dramatic,” she replied.
“Some people sing beautiful songs, but they don’t put all the meaning into them, and that’s the important thing. To read a lyric, to make the words come alive, that’s the secret.”
Like most recording stars of the 1940s and early 1950s, her career was eclipsed by the rock ‘n’ roll revolution, although she continued to find work in such Broadway productions as Pal Joey, Gypsy and Call Me Madam.
She also toured regularly with the big bands of Freddy Martin, Frankie Carle and Bob Crosby and sang in cabarets, in auditoriums and with the St Louis Symphony. With Rosemary Clooney, Helen O’Connell and Rose Marie, she crossed the country in a revue called 4 Girls 4. In all, she recorded more than 500 songs during her career and was one of the first mainstream artists to delve into Nashville, Tennessee, combining with country star Jimmy Wakely on the hit Slippin’ Around. She also recorded rock, novelty and sacred songs.
Born in Detroit on July 22, 1924, Ms Whiting moved with her family to Los Angeles after musicals became the rage and her father headed west to write for them.He turned out songs for Chevalier and Bing Crosby while at Paramount and composed Hooray for Hollywood and Too Marvellous For Words for Warner Bros.
Ms Whiting recalled how she came home from school one time with an all-day lollipop while her father was trying to write a song for a Shirley Temple movie. At first he was annoyed by the sticky kisses, but then inspiration struck.