Ancient seafarers who launched one of the world’s swiftest migrations, settling in the virgin islands of remote Oceania 3,000 years ago, have brought their story to Paris for an unprecedented new exhibit.

The Lapita, as the ancient Oceanic people are known, were all-but-unheard of just a few decades ago.

But since the mid-1990s the discovery of a body of highly-distinctive potteries, spread across some 250 sites, has shed light on how the Lapita set out over uncharted waters, bringing their language and culture with them.

Now, for two months starting on Tuesday, the Quai Branly Museum of tribal arts in Paris is hosting what is being billed as the first ever comprehensive exhibition on the people’s artefacts and history.

“For indigenous people in the region, this is their heritage,” said Stuart Bedford of the Australian National University of Canberra, who has studied the Lapita for the past 15 years and is co-curating the Paris exhibit.

“But it’s also a great human migratory story, an extraordinary chapter in the colonisation of the planet – of this vast area that was uninhabited until just 3,000 years ago.

Many of the pieces on show have never left the region, according to Prof. Bedford, who lives and works in Vanuatu, home to many of the richest Lapita sites.

The Lapita’s story is part of a wider pattern of migration that saw Southeast Asian peoples head south from Taiwan to Papua New Guinea and as far as the main Solomon islands, where they stopped some 4,000 years ago.

Then, after a break of hundreds of years, the Lapita took once again to the open seas around 3,300 years ago, pushing east past the Solomon Islands to the Bismarck archipelago and beyond to Vanuatu, Fiji and Samoa.

Wherever they went, they left behind archaeological “markers” in the form of distinctive potteries, decorated with complex, dotted motifs, whose discovery is now enabling researchers to retrace their route over the waters.

“Pacific islanders have an oral tradition of seafaring stories that were dismissed by scientists,” said Prof. Bedford, who works in partnership with Vanuatu communities that train up local fieldworkers to assist with excavations.

“Missionaries spoke of what came before them as a period of darkness,” he said. “After 30 years of independence, Vanuatu is regaining confidence, as people start to appreciate they have a history that is older than the Church”.

“They’re very excited about the history,” said Prof. Bedford.

Shell bracelets, disks, pearls and pierced teeth, obsidian shards used as cutting devices and shellfish hooks are shown in Paris alongside dozens of pots – both in fragments and as whole reconstituted pieces.

Typical Lapita pots have a large, complex motif running around in a central band, surrounded by a series of smaller friezes, with zig-zags, labyrinths or curls made with the teeth of a tiny comb-like instrument.