Alejandro G. Iñárritu’s story of a washed-up, former superhero actor wins highest honours at Academy Awards while hot contenders go home disappointed

The dark comedy Birdman held up a mirror to Hollywood and its struggling actors and in return received the film industry’s highest recognition on Sunday, the Academy Award for best picture.

Mexican director Alejandro G. Iñárritu holding his three Oscars for his film Birdman which won best director, best original screenplay and best picture at the 87th Academy Awards in Hollywood, California. Photos: Lucy Nicholson and Mike Blake/ReutersMexican director Alejandro G. Iñárritu holding his three Oscars for his film Birdman which won best director, best original screenplay and best picture at the 87th Academy Awards in Hollywood, California. Photos: Lucy Nicholson and Mike Blake/Reuters

Director Alejandro G. Iñárritu’s story of a washed-up, former superhero actor attempting an improbable comeback on Broadway won four Oscars in its nine nominations, including best director, the second consecutive win in that category for a Mexican film-maker. Acclaimed for looking like one continuous shot through a Broadway theatre and mixing reality with fantasy, the movie, Iñárritu said, came from learning to be fearless in film-making.

The reward for the Fox Searchlight satire hews to an Academy tradition of awarding films that honour the entertainment industry, such as Argo and The Artist in recent years.

The UK’s Eddie Redmayne won best actor with his painstaking portrayal of physicist Stephen Hawking in The Theory of Everything, robbing Birdman lead and former superhero actor Michael Keaton of a big comeback moment.

Each of the eight best picture nominees went home with at least one award, but it was a disappointing night for Boyhood, Richard Linklater’s unprecedented 12-year endeavour to depict the simple story of a boy growing up, using the same actors. It won one Oscar out of its six nods.

It was a night in which the controversy over the lack of diversity among this year’s nominees was front and centre

Wes Anderson’s colourful caper, The Grand Budapest Hotel proved popular among the 6,100 members of the Academy of Motion Picture Arts and Sciences who vote for the Oscars, winning four awards on its nine nominations.

Whiplash, the independent film about an aspiring jazz drummer and his tough mentor from young director Damien Chazelle, won three Oscars.

The only box office blockbuster among the eight, the Iraq War drama American Sniper from director Clint Eastwood, also fell short with one win.

It was a night in which the controversy over the lack of diversity among this year’s nominees was front and centre. First-time host Neil Patrick Harris opened the telecast with a quip: “Tonight we honour Hollywood’s best and whitest, sorry brightest.”

Singers Common (left) and John Legend posing with their Oscars after winning the award for best original song for Glory from the film Selma.Singers Common (left) and John Legend posing with their Oscars after winning the award for best original song for Glory from the film Selma.

But the race theme resonated in a more serious way too, when Common and John Legend got a standing ovation and made many in the audience cry with their performance of Glory from the 1960s civil rights drama Selma.

It won best song, delivering the sole victory to Selma, the film at the centre of the diversity debate sparked by the exclusion of actors of colour from the four acting categories. The nominations prompted a backlash on Twitter with the hashtag “#OscarsSoWhite.

All four acting award winners celebrated their first Oscars.

Redmayne, who won critical acclaim for his depiction of the various stages of disability endured by Hawking, who suffers from the motor neuron disease known as ALS.

“I am fully aware that I am a lucky, lucky man,” Redmayne said. “This Oscar belongs to all of those people around the world battling ALS.”

Five-time nominee Julianne Moore won best actress, also for her portrayal of an illness, as a middle-aged woman suffering Alzheimer’s in Still Alice.

“I read an article that said that winning an Oscar could lead to living five years longer,” said the 54-year-old Moore. “If that’s true, I’d really like to thank the Academy because my husband is younger than me.”

Patricia Arquette won best supporting actress for her role as a struggling single mother in Boyhood and made an appeal for equal pay and rights for women in the US in her acceptance speech.

From left, J.K. Simmons, best supporting actor for Whiplash, Patricia Arquette, best supporting actress for Boyhood, Julianne Moore, best actress for Still Alice, and Eddie Redmayne, best actor for The Theory of Everything.From left, J.K. Simmons, best supporting actor for Whiplash, Patricia Arquette, best supporting actress for Boyhood, Julianne Moore, best actress for Still Alice, and Eddie Redmayne, best actor for The Theory of Everything.

Press Association GraphicPress Association Graphic

J.K. Simmons, after decades as a character actor, won the best supporting actor as a monstrous music teacher in Whiplash.

Harris got laughs with his brave appearance in white underwear, a spoof of Keaton’s opening scene in Birdman. But some of his jokes fell flat and his debut got mixed reviews.

Poland’s Ida clinched best foreign-language film, and director Pawel Pawlikowski pushed the 45-second acceptance speech boundary to thank “my Polish friends who are in front of the TV, the crew who were in the trenches with us and who are totally drunk now, and you were fantastic”.

Best documentary went to Citizenfour, director Laura Poitras’s feature about National Security Agency whistleblower Edward Snowden, the former government contractor who detailed the secret mass surveillance programmes.

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