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Tritons back to glory

Plans to shift the Triton Fountain, outside City Gate, in Valletta, to Floriana have been abandoned because it needs a €2 million restoration job that will take an estimated two years to complete.

This means Renzo Piano’s plans for the square outside the capital’s new entrance were revisited to incorporate the fountain in the upgrading project, which will include paving an area of 12,000 square metres.

A detailed report and the intervention it required would be passed on to Heritage Malta, which was entrusted with the restoration of Vincent Apap’s iconic fountain, Infrastructure Minister Austin Gatt said.

The original plan to move the fountain had been welcomed by some but rubbished by many who felt the fountain, positioned at the city’s entrance since 1959, should remain where it is. Dr Gatt did not exclude the possibility of it being moved in the future after having been restored.

The fresh plans presented yesterday will retain the concept of open space, paved with hard stone complementing the new city entrance. A car park with space for 55 vehicles to the left side of the fountain was also scrapped.

The €5 million project includes an uplift of the

Plans to shift the Triton Fountain, a landmark in Valletta, to Floriana have been abandoned because the move would entail a €2 million restoration that will take an estimated two years to complete.

This means Renzo Piano’s plans for the square outside capital’s new entrance were revisited to incorporate the fountain in the upgrading project, which will include paving an area of 12,000 square metres.

A detailed report and the intervention it requires would be passed on to Heritage Malta, which was entrusted with the restoration of Vincent Apap’s iconic fountain, Infrastructure Minister Austin Gatt said.

The original plan to move the fountain had been welcomed by some but rubbished by many who felt the fountain, positioned at the city’s entrance since 1959, should remain where it is. Dr Gatt did not exclude the possibility of it being moved in the future after having been restored.

The fresh plans presented yesterday will retain the concept of open space, paved with hard stone complementing the new city entrance. A car park with space for 55 vehicles to the left side of the fountain was also scrapped.

The €5 million project includes an uplift of the façade of the government flats in Freedom Square opposite the site of the new Parliament – 18 wooden balconies will replace the present stone ones and metal railings will replace the stone balustrades. Shop awnings will also be changed.

Dr Gatt said the money being spent to upgrade the area outside the city entrance was over and above the €80 million being spent on the Renzo Piano project. The government did not incur any costs for the fresh designs to incorporate the fountain, he said, and the project was expected to be completed with the Parliament and open-air theatre in 2013.

He said other changes which will take place include relocating the kiosks surrounding the former, grubby bus terminus and fountain area but this still needs to be discussed with the kiosk owners.

Kenneth Cauchi, an art restorer and expert on Mr Apap’s sculptures, said a detailed study on the fountain revealed serious damage, particularly the tritons’ layer of bronze and the plate they were holding.

Mr Cauchi explained that there was a complex network of tunnels underneath the fountain. The restoration work will include dismantling the sculpture and sending the pieces to specialists abroad who will restore it and then reassemble it in the exact position it was.

The plan is to restore it to its former glory with major work being done to the plate on top which will probably be lined with fibreglass or plastic in an attempt to save it.

In the begining

The fountain was commissioned in 1953 under the George Borg Olivier government, with Sir Paul Boffa being the Public Works Minister.

However, work actually started on it in 1955 when Dom Min­toff was Prime Minister. It was first operated on May 16, 1959 but was never officially inaugurated because there was no government in place at the time.

Although the fountain was the work of Vincent Apap, one of Malta’s foremost sculptors of the modern period, Victor Anastasi worked on the technical layout of the fountain.

The fountain has three water chambers at different levels plus a maze of tunnels beneath.

In 1977, the basin on top of the fountain was damaged after the Malta Labour Party, then in government, organised song festivals on top of it. The fountain was then abandoned until 1987.

The Triton Fountain will remain in its landmark space. Photo: Jason Borg

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John Zammit

Dec 10th 2011, 19:15

Have you seen what I already said about the state of the metal when originally Cast this is not due to the Sculpture but to the fact that the foundry were was it cast failed to do their work properly I am afraid that even the arms might need to be repaired as the metal in certain places is very minimal

Joseph Calleja

Dec 10th 2011, 14:49

As usual it is vandals that ruin just about everything they touch, and the worst part is that they get away with such actions. And why was this magnificent fountain abandoned in the first place?

John Zammit

Dec 10th 2011, 17:13

how many people know that when the dish was brought to the Dry Docks for repairs it was found out that the thickness of the metal was not even and in some places it was negligible the same could be said about the decorative lamps that use to embellish Marsaskala sea front when they were brought over to the Dry Docks in 1997 they were found full of hard metal

Mr John Apap

Dec 10th 2011, 17:48

For the sake of accuracy. The central column was designed by the same sculptor who made the fountain to hide the water pipes which could no longer follow their original path through the arms. After several designs, which were rejected by the powers that be, the present design was accepted. This was sculpted here in Malta, shipped to a foundry in Verona, the name of which escapes me, cast in bronze and shipped back for assembly.

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