Promoting arts specialisations
The Malta Arts Scholarship scheme aims to provide more opportunities to promote specialisation in the arts, including performance, music, dance, design, creative writing, film and the visual arts.
Over the past few decades, Maltese artists have demonstrated better quality in theatre productions, dance, the visual arts and literature.
Television drama has reached higher levels and at times has been daring in its approaches. Various ventures on the big screen have had mixed results as productions played in local cinemas in direct competition with Hollywood blockbusters.
Maltese singers have featured prominently in international festivals; others have appeared alongside major stars in concerts both locally and abroad. Maltese tenor Joseph Calleja, whose inter-national reputation is in high esteem, is helping to make a name for Malta.
As opposed to a century ago, the list of local talent contributing to the arts today is a tall one. This is not coincidental. With the development of the concept of a limited working week, the modern industrial society is realising the need to occupy itself in quality leisure time.
Thus, audiences for the arts have dramatically expanded, with the consequence that we are witnessing a resurgence of the so-called cultural industry. Simultaneously, there is a stronger need for further professionalism in the arts.
In the first decade of the 21st century, through the accessibility of the new media at everyone's fingertips, certain social barriers to enjoying excellent presentations and performances by world-renowned artists have been almost totally eliminated. Therefore, the awareness of high standards makes everyone aware that professional standards are being pushed higher and higher with every event.
The ability and commitment of local artists is evident. Still, there is a need for further investment within the framework of lifelong learning. This investment will enable our artists to play a determining role in the future of the nation's culture. Moreover, the cultural industry is labour-intensive, capable of creating employment and generating wealth.
In the Malta Government Scholarship Scheme (MGSS) introduced in 2006 and the Strategic Educational Pathways Scholarships (Steps) launched in 2009, the arts were always a priority. So far, 60 people have been awarded scholarships to further their specialisation in the arts at various universities throughout Europe.
Since nurturing creativity and fostering innovation in the arts cannot be restricted only to those with tertiary academic qualifications, the Ministry of Education set up the Malta Arts Scholarships scheme, and in the 2010 Budget €200,000 was allocated to fund these scholarships.
The scheme aims to provide more opportunities to promote specialisation in the arts, including performance, music, dance, design, creative writing, film and the visual arts or any combination thereof.
The philosophy of the Directorate for Lifelong Learning within the Ministry is that a vibrant arts sector underpins a healthy, open, contemporary society. An ever-growing energised arts community, spanning all the art forms and delivering quality outcomes, will sustain the ever-demanding cultural industry. Moreover, it is vital in ensuring the future cultural, social, intellectual and economic wellbeing of our country.
These scholarships are intended to support individuals who are exceptionally talented in any area of the arts to enable them to pursue a full-time programme of studies leading to a specialised level in the arts. The duration of the programme of studies has to be of a minimum of nine months and a maximum of four years.
These programmes may be at any foreign institution as long as the institution is recognised by the Malta Qualifications Recognition Information Centre or approved by the Malta Council for Culture and the Arts.
For full-time programmes of studies other than those leading to a postgraduate qualification, the value of the scholarship shall not exceed €30,000 for the whole duration of the programme. This includes a maintenance grant of a maximum of €4,000 per year, paid directly to the awardee, provided that the total sum paid for tuition fees and other maintenance grants for the whole duration of the course does not exceed €30,000.
In the case of full-time programmes that lead to a postgraduate qualification, the value of the scholarship grant shall not exceed €40,000 for the whole duration of the course. This includes a maintenance grant of a maximum of €5,000 per year, paid directly to the awardee, provided that the total sum paid for tuition fees and maintenance grants for the whole duration of the course does not exceed €40,000.
Applications are available on the websites www.education.gov.mt/artsscholarships.htm or www.maltaculture.com.
The deadline for applications is April 30 at noon. Applications are to be submitted to the Customer Care Office, Directorates for Education, Great Siege Road, Floriana.
With the application form, applicants must submit documents (if applicable) and three copies of portfolios in the form of CDs, showing proof of three past artistic achievements of the applicant. The regulations and application form include further details on what is needed for a successful application.
There is no age limit for applicants; nor is there the need for previous academic qualifications. This means that even children under 16 who are gifted in any area of the arts but are still receiving formal schooling, may apply. Adults who have never pursued a tertiary education but are highly skilled in any form of the arts, may also apply.
After the close of applications on April 30, applicants have a three- month period (until July 30) to submit the unconditional letter of acceptance issued by the institution where they intend to take up the programme of studies.
For more information, e-mail artsscholarships.medc@gov.mt or call helpline 2598 2816 (mornings only).
Mr Azzopardi is director of Lifelong Learning.
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Pule' Carmel
Apr 18th 2010, 14:19
And who knows what the future holds for this ever changing spirit in us builds on the art of yesterday to reach higher levels of spiritual and utilitarian beauty holding hands while they set paths for the future. The theatre itself seem to have realized that static art hanging on a wall, is not enough, and shelved Michelangelo for a while, for the people themselves wanted to be empowered to feel the dynamic artistic spirit that only a few felt before. It is encouraging that Malta is advocating young people to follow artistic functions but I wish that it is not the old spiritual art that is conveyed to them but that modern invisible art that also exists in technology and the stress that is involved in facing the real world. One hopes that the Projected Art in Malta is not the old spiritual art that acts like drug for the masses that divert peoples’ mind for moments of ecstasy. I hope that art in Malta will also be concerned with the spirit or our students described by reading the UNIVERITY comments “ what are the student’s new concerns.”
Pule' Carmel
Apr 18th 2010, 14:17
It was a combination of a higher mental spirit developing in parts of this world and a contribution from the particular environments that changed the artistic styles that people followed. Armed with a mental, spiritual activity, people around coal mines, as Newcastle and Scotland seem to have generated a deeper consciousness still related to art but an active one that was more dynamic and yet utilitarian. Hence Stevenson and Watt built an artistic structure which moved and oscillated in reality, something the spirit of previous art could never do. Hence the artistic functions in the industrial revolutions swung the artistic zone to the North of England. Slowly the artistic dynamic logic became a flying machine and the invisible spirits of Radio TV and computer whose art , shadowed ALL PREVIOUS ART including the decayed spirit of ITALIAN ART. Meanwhile musical artistic compositions helped to combine the logic of sound in into crescendos of beautiful music which helped computer electronics to organize themselves to produce another spiritual artistic components, with a utilitarian component unlike the old art which remained, just spiritual.
Pule' Carmel
Apr 18th 2010, 14:16
It would appear that the development of the human mind took it in steps to reach what it is today. Even thousands of years ago the human mind was not satisfied with the utilitarian activities our body needs, but it seemed to be a requirement to cater for the mind in a domain of fantasy and imagination. But the mind was so primitive that neither the utilitarian devices nor the products of fantasy had any higher levels of thought, because thought itself was lacking in its calibre. Through the ages, all utilitarian products contained artistic functions, even in war the Romans decorated their wares. Still the art was shallow and no depth was associated with it. Perhaps the artistic climax occurred in Italy, with Michael Angelo, Leonardo, raising the emotional levels of art through the spiritual concepts of the Roman CatholicChurch. Art became spiritual. But at this stage art initiated a new activity, it was the higher concepts of structures required to support art, in domes, buttresses and frescos. Without this, all art would vanish completely, to a fig of imagination in our minds, as superstition. It is this spirit that that changed over the years into other mental wonders.