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No double role for Piano

The Renzo Piano tripod project for the access to Valletta and immediately behind it is having a seemingly welcome effect for the government. It has generated controversy, no doubt about that. But people qualified to give an informed opinion have been positive about the proposals.

That is not to say that all expressions of approval have been without qualification. The idea to convert the ruins of the old opera house into an open air centre has attracted most resistance. There is a feeling that Mr Piano was constrained by the budget indicated to him. Yet, he is obviously convinced of his scheme, otherwise he would not lend his name to it.

Another qualification revolves around the plan to build new premises for the House of Representatives in what is today known as Freedom Square, a throwback to the names former Prime Minister Dom Mintoff used to dream up. There is a thread of feeling that persists in remaining unconvinced that we need to splash out hefty euro millions to relocate the House when there are buildings in Valletta which beg to be restored and could be converted in parliamentary premises if the House must move from the President's Palace.

Not to mention another thread which lumbers Lawrence Gonzi and - unfairly - the whole political class for being ready to hog the only open space of note in the capital city. But the Prime Minister must be happy that the Piano project is on so many lips, though not all of them express swooning interest. Some note, as well they should, that the government has not yet come up with parallel proposals to tackle the three main negative side effects of Mr Piano's vision.

One is the impact on shop owners who operate from the outlets at the entrance of Valletta. The outlets are unseemly, certainly, and it was a mistake to put them there. But what are the shop operators to do once they have to make way?

Another is the removal of precious parking space in addition to that taken away with the regeneration of St George's Square, opposite the President's Palace, itself a matter of unresolved controversy because of the proposed indecorous decorations of it.

Perhaps someone is thinking of digging up Floriana's Ix-Xagħra and locating a huge underground car park there but nobody is telling yet.

Then there is the flow of traffic into Valletta, which will have to be re-routed once the road above the present atrociously ugly entrance to the city is removed to make way for the reach-to-the skies Piano concept of a "gate".

Nevertheless, the Prime Minister must be happy that the Piano effort is attracting so much attention. Happy for the project in itself as well as because the attention changes focus from the stubbornly-high cost of living and long-standing gripes about hefty water and electricity bills and, more recently, the sharp hike in the price of petrol and related products, which affects humble old-car users and economic operators alike.

If indeed it is the case that anyone thinks that many will be alienated from complaining and complaining some more about pockets holed by high prices and tariffs, they are very mistaken. In that context, Mr Piano cannot really have a double role.

Most people have not bothered to go to view the master's exhibition or to try to make out the proposals from the photos and texts that appeared in the newspapers. Yet, they are very bothered at the way their euros in their pockets are shrinking in purchasing power. Bothered and getting more so. There can be no respite for the Prime Minister and his team in that regard in spite of the Piano theme.

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