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Board explains play ban

The Film and Stage Classification Board that banned the play Stitching said yesterday the decision was taken by three board members during a first examination and by another three when the producers appealed. In a counter judicial protest filed last Thursday, and released to the media yesterday, the board denied any wrongdoing.

It said the right to freedom expression was not absolute and was subject to various limitations, the board said, denying accusations of having violated the Constitution and the European Convention on Human Rights. Such limitations, it explained, were in the interest of public decency and morality. Board chairman Therese Friggieri said the script in question not only contained obscene language but in some cases offended religious sentiment. It included decadent material, shameful and perverted content of a sexual and sadomasochistic nature and even paedophilia. It also had references to the Auschwitz victims, which exceeded all limits of public decency.

She rebutted the producers' accusations that she had involved herself in the second examination of the play, something that goes against the board's own regulations.

Ms Friggieri explained that the first examination of the play was carried out by herself together with Cecilia Xuereb and Dione Mifsud while the second was in the hands of Marthese Scerri, Joe Camilleri and Tony Muscat. Ms Friggieri said the board followed all the rules, even though the script was submitted late and the producers had started distributing a flyer which said the production had been classified 18 when they were not in possession of any such certificate. Since the play had been submitted for review late, Ms Friggieri said she had personally met the director, Christopher Gatt, to explain why it had been banned and spoke to the producer, Adrian Buckle, over the phone.

The board advised the producers not to stage the play in order to avoid unnecessary expenses while warning them of criminal proceedings if they ignored such advice.

When contacted, Mr Gatt said the producers were adamant to stage Stitching once a suitable venue was found because, although the play is tough, it was true to life.

cperegin@timesofmalta.com

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