
Thursday, 4th December 2008 - 09:25CET
City Gate: Time to decide and move forward - DLH
Din l-Art Helwa, the environment NGO, this morning welcomed the attention being given by the government to the entrance to Valletta and the Opera House site and said it awaited Renzo Piano's designs with interest.
"Din l-Art Helwa believes that any designs put forward should be in consonance with their surroundings and take due account of the size, scale and idiom of Valletta as a historic city whose roots lie in the baroque. This does not preclude a contemporary architectural style that is harmonious with the existing urban fabric. The project should conform with the Venice Charter, which is not restrictive but sets the concept of sensitivity to the old whilst allowing the new."
DLH said any such development in such a sensitive area was bound to arouse passionate debate and differing opinions, but it was time to take a decision and move forward.







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Comments
I hate to repeat myself especially to someone well known here and elsewhere for anti-everything the government proposes.
Please don't mention St. Elmo in the same context. St Elmo has been in a bad shape for decades stretching back to the Labour days when squatters were almost invited to occupy such national heritage buildings. I don't want to go into specifics here because I would digress.
Just taken your advice and had a look at RP's website.
SCARY. To think that some similar ultra modern monstrosity (however architecturally meritorious) could be erected at the entrance to such an old and venerable city. Didn't the war do enough damage without letting an architect add to it.
Perfectly agree with all you say! There is only one Valletta and it is a beautiful place and a world heritage site. I love to visit whenever I am in Malta and agree that politicians should not make a mess out of it.
I agree with DLH about finally correcting the failed regeneration that is City Gate and addressing at long last the Opera House site but regeneration has got to be culturally acceptable and part way of achieving this is that it is NOT alien from its townscape. Note please the modern Coventry Cathedral which looks out of place and the old cathedral has not been developed since WW2. In Dresden they rebuilt the old baroque cathedral. The Opera House has the chance to raise from the ashes and become something great and it makes sense that as it is in Malta, a Maltese architect could more effectively represent the desire of Malta to move forward as a modern country. This should be the aim of the regeneration and to give the Maltese people as taxpayers a say in what is built as support for regeneration schemes is the major part of the battle.
The Americans did not think much about their architects. Neither the British, Italians, French, The Netherlands, the Japanese......?
A visit to Renzo Piano's web page will give one an idea of how the whole world has embraced this famous architect's works.
Those who want sixty more years of haggling, arguing, consulting, and contradictions while the City Gate area remains in a derelict state while the price goes up, please move aside!
You are perfectly correct.
R.Calleja
Are you expecting us to accept whatever your Gonzipn dictates without questioning it when everything that was proposed by the PN was always problematic and destructive?
I do not agree on spending money for a car park, underground or otherwise in the area. There are already car parks just outside Valletta. If public transport is indeed upgraded, there should be no problems accessing Valletta by public transport (road or sea). For environmental and public health reasons we have to discourage rather than encourage the use of private vehicles as long as other decent options are made available.
Perhaps Mr Piano was poorly briefed and led to believe that the bridge was built in the 1960's along with the much unloved City Gate. In fact, it was only widened - the earlier structure still stands, sandwiched between modern extensions. It would be a shame to lose the last remaining part of the gate system dating from the knights' period.
In any case, why does it have to be a foreign architect whose style does not fit in with the City's architectural style and not a project chosen through a competition for Maltese architects?
Not choosing Maltese architects is perfect censorship by the Government of the University of Malta and more so of the faculty through which our architects graduate.
"Any such development in such a sensitive area was bound to arouse a passionate debate and different opinions, but it was time to take a decision and move forward".
There isn't much time to lose. We have waited far too long!